This record is about bodies: our bodies, my body, no body. It is a meditation, a set of lamentations, a goodbye letter to parts of me I had to abandon with haste. These sounds are attempts to co-situate our paths, with their statelessness, traditions, liberations, and collective inheritance of pain, disconnection, erasure. This record is about having to swallow those feelings whole, only to later wound ourselves to cut them out. It is about what we place into those wounds to heal.
released January 29, 2019
Shoshana Rosenberg: Bass Clarinet, B♭ Clarinet, Rubber Pipe
Recorded on Whadjuk Noongar Boodjar, Perth, WA
Mixed by Casper Crook
Artwork by Shelley Horan
My love to every person who has helped me survive, thrive, and continue to become. Thank you for helping me see days I never thought I'd see. My survival is defiant, and I want to share this defiance with you.
supported by 4 fans who also own “Overlapping Magisteria”
perhaps not so innovative, given Burial's stylistic parameters, these tracks are more like a frolic, made of fragments who are like distant relatives, getting nowhere really, but still being enjoyable in their atmospheric anticipation. This is more so in the case of Nightmarket, which fits what I like to think of as lo-fi trance, as anticipated in a superb track like ashtray wasp, although with a beatless and more orchestral approach in this case. aelena