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Signals Directorate [2015]

from Lines of Flight by GreyWing Ensemble

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about

Cat Hope
Signals Directorate [2015] for bass clarinet, electric guitar, harp and electronics.

The Signals Directorate is an arm of the Australian Government that provides foreign signals intelligence, known as Sigint, to the Australian Defence Force and Australian Government to support military and strategic decision-making. Their motto is - "Reveal their secrets: protect our own". They are known for their 'listening in' on mobile phone conversations, most famously revealed by Edward Snowden's documents relating to Australia's relationship with Malaysia.
The score takes images and colours from the graphs generated by the organisation that result from tracking of data, and can be read by any number of musicians. The backing track, embedded into the score, is an excerpt of one of the composer’s past bass noise performances.

credits

from Lines of Flight, released March 25, 2018
Cat Hope is an Australian composer, musician and sound artist. Cat’s composition and performance practices engage elements of low frequency sound, drone, noise, graphic notation and improvisation. Her works have been performed at festivals internationally and broadcast on Australian, German, Italian, French and Austrian radio. She is a Churchill and Civitella Ranieri Fellow, ands the director of the award winning new music ensemble Decibel. Cat’s composition and performance practices have been discussed in books such as Loading the Silence (Kouvaris, 2013), Women of Note (Appleby, 2012), Sounding Postmodernism (Bennett, 2011) as well as periodicals such as The Wire, Limelight, and Neu Zeitschrift Fur Musik Shaft. She also creates music for art installations and films with artists such as Kate McMillian, Erin Coates and Tracey Moffat. [www.cathope.com]

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GreyWing Ensemble Perth, Australia

GreyWing is an Australian new music group exploring and creating repertoire for harp (Catherine Ashley), electric guitar (Jameson Feakes) and winds (Kirsten Smith and Lindsay Vickery) and electronics. Important thematic strands in the group’s exploration have included environmental music, political commentary, text, generative works, improvisation and noise. ... more

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