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wellington forest [2017]

from nature forms I by GreyWing Ensemble

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Lindsay Vickery
wellington forest [2017] for bass clarinet, electric guitar, harp and field recording.

The score for Wellington Forest is based on an annotated spectrogram of a field recording made in the Ferguson Valley region of Western Australia. Originally invisaged as a percussion trio, the work was adapted for GreyWing by employing preparations on the harp strings and extended techniques on the electric guitar. Although the recording remains temporally unaltered, a number of filters are used to highlight the pitched material in the recording and to accentuate some of the shifts in the sonic environment in order to create structural points in the work.

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from nature forms I, released March 25, 2018
Lindsay Vickery has been active as a composer and performer across Europe, the USA and Asia since 1986. His music includes works for acoustic and electronic instruments in interactive-electronic, improvised or fully notated settings, ranging from solo pieces to opera. He was a Churchill Fellow and held residencies at STEIM (Holland), HarvestWorks, Tokyo Wondersite and numerous universities. He was a founding member of Alea New Music Ensemble, Magnetic Pig, SQUINT, HEDKIKR (2002-), Decibel (2009-) and GreyWing (2016-).Lindsay is active as a lecturer, writer and critic and is a regular contributor to internationaljournals and conferences, He is the coordinator of composition and music technology at the Western Australian Academy of Performing Arts. [www.lindsayvickery.com]

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GreyWing Ensemble Perth, Australia

GreyWing is an Australian new music group exploring and creating repertoire for harp (Catherine Ashley), electric guitar (Jameson Feakes) and winds (Kirsten Smith and Lindsay Vickery) and electronics. Important thematic strands in the group’s exploration have included environmental music, political commentary, text, generative works, improvisation and noise. ... more

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